Booth A4
Enquire: art@grosvenorgallery.com 
  • George Chinnery, Thatched dwellings with goat, Bengal
    George Chinnery
    Thatched dwellings with goat, Bengal
    Oil on canvas
    21.6 x 33 cm
    8 1/2 x 13 in
    £ 20,000.00
  • George Chinnery, Bengali village scene with cattle
    George Chinnery
    Bengali village scene with cattle
    Oil on canvas
    27.3 x 38.1 cm
    10 3/4 x 15 in
    £ 25,000.00
  • James Stephanoff, A Procession, Circa 1810
    James Stephanoff
    A Procession, Circa 1810
    Black chalk, watercolor and bodycolor on paper.
    34.3 x 54 cm
    13 1/2 x 21 1/4 in
  • After Clarkson Stanfield, Bombay Harbour in the Monsoon, Circa 1844
    After Clarkson Stanfield
    Bombay Harbour in the Monsoon, Circa 1844
    Engraving on paper, engraved by E. Goodall
    12 x 18.5 cm (image)
    4 3/4 x 7 1/4 in
  • Lockwood de Forest, Rani Rupamati's Mosque, Ahmedabad, 1893
    Lockwood de Forest
    Rani Rupamati's Mosque, Ahmedabad, 1893
    Oil on paper laid down on canvas
    25.1 x 36.5 cm
    9 7/8 x 14 3/8 in
    Signed and dated 'L de F. Mar 18 / 93' lower right
  • Franz Rohrbeck, The Indian Palace, Circa 1890s
    Franz Rohrbeck
    The Indian Palace, Circa 1890s
    Watercolor and white gouache highlights
    29 x 41 cm
    11 3/8 x 16 1/8 in
    Signed lower left 'F. Rohrbeck'
  • Hugo Vilfred Pedersen, Portrait of an Indian woman, Circa 1900
    Hugo Vilfred Pedersen
    Portrait of an Indian woman, Circa 1900
    Oil on board
    53.6 x 38.8 cm
    21 1/8 x 15 1/4 in
    Signed 'Hugo V. P' lower right
  • Charles W. Bartlett, Taj Mahal, Agra, 1916
    Charles W. Bartlett
    Taj Mahal, Agra, 1916
    Woodcut in colours
    26.7 x 38.1 cm
    10 1/2 x 15 in
    Signed in pencil
  • Charles W. Bartlett, Taj Mahal, 1916
    Charles W. Bartlett
    Taj Mahal, 1916
    Etching, sealed CWB
    18.4 x 24.4 cm
    7 1/4 x 9 5/8 in
    Signed Charles W. Bartlett, circa 1916
  • Charles W. Bartlett, Prayers at sunset (also called Udaipur, India), 1919
    Charles W. Bartlett
    Prayers at sunset (also called Udaipur, India), 1919
    Woodblock print
    28.9 x 41 cm
    11 3/8 x 16 1/8 in
    Signed in graphite: ‘Charles W.Bartlett’
    Printed monogram: ‘CWB’
    Printed title as above in block at lower left
    Publisher: Watanabe Shozaburo
  • Charles W. Bartlett, Fruit Sellers, Madura, India
    Charles W. Bartlett
    Fruit Sellers, Madura, India
    Drypoint etching with hand colouring
    18.4 x 28 cm
    7 1/4 x 11 in
    Signed in pencil 'Charles W. Bartlett' (in margin lower left); numbered in pencil '22/75' (in margin lower right); initialled and titled in the plate
  • Monopteros (From Thomas & William Daniell’s 'Oriental Scenery and Views in Hindoostan'), Circa 1810
    Monopteros (From Thomas & William Daniell’s 'Oriental Scenery and Views in Hindoostan'), Circa 1810
    8 x 14 x 10 cm
    3 1/8 x 5 1/2 x 4 in
    A good early 19th Century Antique English Georgian Blue and White Transfer Pottery Sauce Tureen, printed in a medium blue palette with the “Monopteros” pattern by John Rogers and Son of Dale Hall, Longport, Staffordshire (fl. 1815 – 1842)
  • Death of the Bear, Circa 1815
    Death of the Bear, Circa 1815
    Diameter 25 cm; 9 7/8 in
    a fine early-19th century English Georgian blue and white transfer printed pottery plate from Spode’s greatly sought after 'Indian Sporting' Series
  • View of Halpy on the Jumna, Circa 1820-28
    View of Halpy on the Jumna, Circa 1820-28
    A Georgian hand painted plate, finely painted in coloured enamels with a named view 'View of Halpy on the Jumna, INDIA', by Stephen Folch
    Diameter 21 cm; 8 1/4 in
  • Camel (From Thomas & William Daniell’s 'Oriental Scenery and Views in Hindoostan'), Circa 1825
    Camel (From Thomas & William Daniell’s 'Oriental Scenery and Views in Hindoostan'), Circa 1825
    A good Early 19th Century Antique English Georgian Blue and White Transfer Pottery Sauce Tureen and Cover, printed in the “Camel” pattern by John Rogers and Son of Dale Hall, Longport, Staffordshire, (fl. 1815 – 1842)
    13 x 19 x 10 cm
    5 1/8 x 7 1/2 x 4 in
  • Mahomedan Mosque Tombs, Circa 1830
    Mahomedan Mosque Tombs, Circa 1830
    a Victorian blue and white transfer printed plate by J. Hall and Sons from the 'Oriental Scenery' series
    Diameter 25.4 cm
    10 in
  • Tombs near Etaya on the Jumna River, Circa 1830
    Tombs near Etaya on the Jumna River, Circa 1830
    a Victorian blue and white transfer printed plate by Thomas & Benjamin Godwin from the series 'Indian Scenery'
    Diameter 23 cm
    9 in
  • Monopteros, Circa 1825
    Monopteros, Circa 1825
    Diameter 21.6 cm; 8 1/2 in
    A good Early 19th Century Antique English Georgian Blue and White Transfer Indented Pottery Dessert Plate, printed in a medium blue palette with the “Monopteros” pattern by John Rogers and Son of Dale Hall, Longport, Staffordshire (fl. 1815 – 1842)
  • Surseya Ghaut Khanpore, Circa 1830
    Surseya Ghaut Khanpore, Circa 1830
    Diameter 26 cm; 10 1/4 in
    An early 19th century, Georgian blue and white transfer pottery plate, printed in a light blue palette with a named view of 'Surseya Ghaut, Khanpore', by Thomas & Benjamin Godwin (fl. 1809 – 1834) of New Basin Pottery and New Wharf Pottery, Burslem, Staffordshire
  • A view of Surseya Ghat, Khanpore, Circa 1830
    A view of Surseya Ghat, Khanpore, Circa 1830
    a Victorian blue and white transfer printed plate by Thomas & Benjamin Godwin with imagery from their series 'Indian Scenery'
    Diameter 27 cm; 10 5/8 in
  • Death of the Bear, Circa 1850
    Death of the Bear, Circa 1850
    Diameter 26 cm; 10 1/4 in
    a Victorian blue and white transfer plate, from the 'Oriental Sport' series
  • Maqbool Fida Husain, Untitled (Horses with sun), 1991
    Maqbool Fida Husain
    Untitled (Horses with sun), 1991
    Acrylic on cardboard
    57.7 x 90 cm
    22 3/4 x 35 3/8 in
    Signed 'Husain' upper right
  • Maqbool Fida Husain, Two Horses and Setting Sun, 1991
    Maqbool Fida Husain
    Two Horses and Setting Sun, 1991
    Acrylic on cardboard
    57.3 x 89.6 cm
    22 1/2 x 35 1/4 in
    Signed 'Husain' lower left; signed 'Husain 91' on the reverse
  • Maqbool Fida Husain, Untitled (Gaja Gamini), Circa 2000
    Maqbool Fida Husain
    Untitled (Gaja Gamini), Circa 2000
    Acrylic on canvas
    152.4 x 101.6 cm
    60 x 40 in
    Signed lower left
  • Howard Hodgkin, Indian Views, 1971
    Howard Hodgkin
    Indian Views, 1971
    The complete set, comprising 12 screenprints in colours on J Green paper, printed by Chris Prater, with the assistance of Christopher Betambeau, at Kelpra Studios, London, published by Leslie Waddington Prints, London, 1971

    This set is one of an unknown number of artist's proofs aside from the edition of 75
    58 x 77.6 cm
    22 7/8 x 30 1/2 in
    (each)
    Each signed in pencil, dated, inscribed AP and labelled respectively A - L on the reverse
  • Howard Hodgkin, Border (From Indian Waves series), 1990-91
    Howard Hodgkin
    Border (From Indian Waves series), 1990-91
    Gouache on intaglio impressed khadi paper
    72.7 x 91.8 cm
    28 5/8 x 36 1/8 in
    Signed, titled and dated on the reverse
  • Howard Hodgkin, Hello Bombay, 2016
    Howard Hodgkin
    Hello Bombay, 2016
    Oil on wood
    101.6 x 120.3 cm
    40 x 47 3/8 in
    Signed, dated and titled on the reverse 'HELLO BOMBAY 2016/ Howard Hodgkin
  • Khodidas Parmar, Untitled (Arjuna riding a chariot), 1953
    Khodidas Parmar
    Untitled (Arjuna riding a chariot), 1953
    Oil on board
    43.3 x 79.8 cm
    17 x 31 3/8 in
    Signed and dated '4.6.53' upper right
  • Badri Narayan, Portrait of a Girl, Circa 1960s
    Badri Narayan
    Portrait of a Girl, Circa 1960s
    Glazed ceramic tile
    15 x 15 cm
    5 7/8 x 5 7/8 in
    Signed 'Badri Narayan' in the glaze
  • Lancelot Ribeiro, Untitled (Townscape with Burning Sun), 1965
    Lancelot Ribeiro
    Untitled (Townscape with Burning Sun), 1965
    Oil on board
    25 x 17.5 cm
    9 7/8 x 6 7/8 in
    Signed and dated lower left Ribeiro, '65
  • Lancelot Ribeiro, City with White Sky, 1965
    Lancelot Ribeiro
    City with White Sky, 1965
    Oil on board
    16 x 60 cm
    6 1/4 x 23 5/8 in
    Signed and dated 'Riberio 65' upper left