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Saatchi Gallery, 2026
Saatchi Gallery, 2026
Open a larger version of the following image in a popup:
Saatchi Gallery, 2026
Saatchi Gallery, 2026
Maqbool Fida Husain
Untitled (Varanasi), 2006
Watercolour and ink on paper
50 x 70 cm
19 3/4 x 27 1/2 in
19 3/4 x 27 1/2 in
Signed 'Husain 006' upper right, further signed and dated on the reverse
Further images
Varanasi...the city where the essence of true Indian civilization, past and present, throbs alive simultaneously.' - M.F Husain Husain's 2006 watercolour of Benares, rendered in vivid red, yellow, blue, and...
Varanasi...the city where the essence of true Indian civilization, past and present, throbs alive simultaneously.' - M.F Husain
Husain's 2006 watercolour of Benares, rendered in vivid red, yellow, blue, and black, is a dynamic homage to the city's sacred and ever-moving life. Dominated by a vibrant red backdrop, the composition unfolds in layered vignettes: a swami seated in a boat anchors the foreground, his contemplative stillness contrasting with the rhythmic bustle around him. To the left, another swami sits beneath a chatri, while on the right a devotee performs ritual ablutions, his body bent in devotion. Two charging black bulls surge forward with force and urgency, injecting raw energy into the scene. Rising above these earthly actions, the iconic temples of Benares, painted in radiant yellow, glow like eternal beacons against the crimson sky. Using swift, economical strokes and a palette of symbolic intensity, Husain captures not just the geography of Benares but its spiritual pulse — a place where ritual, mythology, human devotion, and animal life intersect in a continuous, vibrant flow.
Husain's 2006 watercolour of Benares, rendered in vivid red, yellow, blue, and black, is a dynamic homage to the city's sacred and ever-moving life. Dominated by a vibrant red backdrop, the composition unfolds in layered vignettes: a swami seated in a boat anchors the foreground, his contemplative stillness contrasting with the rhythmic bustle around him. To the left, another swami sits beneath a chatri, while on the right a devotee performs ritual ablutions, his body bent in devotion. Two charging black bulls surge forward with force and urgency, injecting raw energy into the scene. Rising above these earthly actions, the iconic temples of Benares, painted in radiant yellow, glow like eternal beacons against the crimson sky. Using swift, economical strokes and a palette of symbolic intensity, Husain captures not just the geography of Benares but its spiritual pulse — a place where ritual, mythology, human devotion, and animal life intersect in a continuous, vibrant flow.